Emma Yorke

Return of the Light
Each year, at the end of January and beginning of February, the arctic island of Svalbard (74° north) experiences the end of 84 days of polar night as the sun begins to creep back above the horizon. In this period of returning the light, the hours of total darkness are interrupted by brief periods of 'inbetween' light conditions known as the 'blue hour'. In reality, these hours can be blue, pink, purple, scarlet, apricot.
This body of work was made on residency at Sptisbergen Arts Centre in January and February 2025, in the period of the returning light. This was also a period of recovery from serious illness and ten months of gruelling treatment for me. During this period of living with cancer, I had been unable to make visual work in my normal way, but had documented the experience through extensive journalling. I arrived on Svalbard exhausted, physically and emotionally, and found a deep comfort in the experience of the almost total darkness of the polar night. The blackness met me where I already was.
As the light began to return, I began to see both the incredible natural beauty and the scars of human activity on the landscape, most noticeably the highly visible remnants of the coal mining everywhere around. Seeing vast heaps of extracted coal (the last coal that will be mined here) silhouetted against fast melting glaciers (Svalbard is experiencing the most rapid climate heating anywhere on the planet) was deeply disturbing. The consideration of the relationship between my own bodily damage and the violence inflicted on this 'wilderness' was profoundly impactful. Experiencing the astonishing beauty of this place whilst navigating the extreme weather conditions and natural hazards (don't go past a polar bear warning sign!) was a reminder of our smallness in the face of the 'nature'.
The images shown below were taken on a mobile phone in sub zero temperatures and often gale force winds. They bear witness to the harshness of the conditions in which they were taken. The accompanying texts are taken from journal entries written in the ten months of my illness and treatment. The raw beauty I found on Svalbard gave me the visual language I had been unable to access before to express my experience of cancer, and sat strangely coherently alongside my journal entries .
'Return of the Light' was shown at Sptisbergen Arts Centre in Svalbard as part of the end of residency show 'Meet me at the End of the Road' held in February 2025.